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  1. Star Wars Insider 157 Pdf Files

HOW STAR WARS BECAME MUSEOLOGICAL. 157 space, where institutional priorities, visitors' creative contributions, and industrial management intersect and sometimes collide. The fan magazine Star Wars Insider.7 Both The George Lucas Exhibition in. Science.ca/doc/content/cstmc/AnnualReport2013-2014.pdf, 18. Sports journalists and bloggers covering NFL, MLB, NBA, NHL, MMA, college football and basketball, NASCAR, fantasy sports and more. News, photos, mock drafts, game.

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Star wars insider 157 pdf files

$3,638,816 $6M Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Most can’t afford to donate, but we hope you can.

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Created the concept of 'the Force' both to advance the plot of (1977) and to try to awaken a sense of spirituality in young audience members. Creation for the original films created the concept of the Force to address character and plot developments in (1977).

He also wanted to 'awaken a certain kind of spirituality' in young audiences, suggesting a belief in God without endorsing any specific religion. He developed the Force as a nondenominational religious concept, 'distilled from the essence of all religions', premised on the existence of God and distinct ideas of good and evil. Lucas said that there is a conscious choice between good and bad, and 'the world works better if you're on the good side'. According to Michael Kaminsky in The Secret History of Star Wars, the first Star Wars film was based on the 1958 Japanese film, the plot and characters of which Lucas borrowed so extensively that at one point he considered buying the U.S rights to the film to prevent a copyright violation lawsuit.

As a film student, Lucas's favorite filmmaker was, who made a series of films featuring heroes and villains in the 1950s and 1960s, which Lucas has acknowledged as a major artistic influence. Critic Jason Serafino notes that the basic plot of Star Wars is based upon The Hidden Fortress, and that Kurosawa films in general are '.easily the most important cinematic influence on the Star Wars movies'. The Hidden Fortress is a (historical adventure) film dealing with a brave samurai who saves a princess in 16th century Japan.

In China, there is the concept of the (known as the ki in Japan), a mystical life force running through everything. Those who master the qi/ ki are capable of superhuman feats, and it is a common plot device in jidaigeki films for those samurai who master the ki to achieve astonishing feats of swordsmanship.

The concept of the Jedi knights, whose power is derived from mastering the Force, is based on the samurai and the relationship that jidaigeki films show them as having with the ki. The name Jedi is a tribute to these films. Kaminsky further noted that in 1970s San Francisco, where Lucas was living when he wrote the various drafts for the script that became Star Wars, New Age ideas, which incorporated the concept of the qi and other notions of a mystical life-force were 'in the air', being widely embraced in that city.

Critic Tim Robley wrote that some of the ideas and characters in Star Wars came from the 1939 film, with the Force serving the same role as the, the magical entity that sends the protagonist on a quest. Lucas used the term the Force to 'echo' its use by cinematographer in (1963), in which Kroiter says, 'Many people feel that in the contemplation of nature and in communication with other living things, they become aware of some kind of force, or something, behind this apparent mask which we see in front of us, and they call it God'. Although Lucas had Kroitor's line in mind specifically, Lucas said the underlying sentiment is universal and that 'similar phrases have been used extensively by many different people for the last 13,000 years'. The first draft of Star Wars makes two references to 'the Force of Others' and does not explain the concept: King Kayos utters the blessing 'May the Force of Others be with you all', and he later says 'I feel the Force also'. The power of the Force of Others is kept secret by the Jedi Bendu of the Ashla, an 'aristocratic cult' in the second draft.

The second draft offers a lengthy explanation of the Force of Others and introduces its Ashla light side and Bogan dark side. The Ashla and Bogan are mentioned 10 and 31 times, respectively, and the Force of Others plays a more prominent role in the story.

In the second draft, Luke Starkiller's mission is to retrieve the Kiber Crystal, which can intensify either the Ashla or Bogan powers. The film's shorter third draft has no references to the Ashla, but it mentions the Bogan eight times and Luke is still driven to recover the Kiber Crystal. Lucas finished the fourth and near-final draft on January 1, 1976. This version trims 'the Force of Others' down to 'the Force', makes a single reference to the Force's seductive 'dark side', distills an explanation of the Force to 28 words, and eliminates the Kiber Crystal. Producer, who studied in college, had long discussions with Lucas about religion and philosophy throughout the writing process. Kurtz told Lucas he was unhappy with drafts in which the Force was connected with the Kiber Crystal, and he was also dissatisfied with the early Ashla and Bogan concepts.

'The act of living generates a force field, an energy. That energy surrounds us; when we die, that energy joins with all the other energy. There is a giant mass of energy in the universe that has a good side and a bad side. We are part of the Force because we generate the power that makes the Force live.

When we die, we become part of that Force, so we never really die; we continue as part of the Force.' — describing the Force during an production meeting Lucas and screenwriter decided that the Force and the Emperor would be the main concerns in (1980). The focus on the Emperor was later shifted to the third film, (1983), and the dark side of the Force was treated as The Empire Strikes Back 's main villain. Prequel films and midi-chlorians (1999) introduces midi-chlorians to explain some characters' Force sensitivity, although Lucas discussed the idea of microscopic creatures connecting characters to the Force as early as August 1977. Lucas based the concept on, calling midi-chlorians a 'loose depiction' of. He further said: Mitochondria probably had something – which will come out someday – to do with the beginnings of life and how one cell decided to become two cells with a little help from this other little creature who came in, without whom life couldn't exist. And it's really a way of saying we have hundreds of little creatures who live on us, and without them, we all would die.

There wouldn't be any life. They are necessary for us; we are necessary for them. Using them in the metaphor, saying society is the same way, says we all must get along with each other. Sequel films and other productions After selling Lucasfilm to in 2012, Lucas said his biggest concern about the franchise's future was the Force being 'muddled into a bunch of '. When writing (2015) with, respected that Lucas had established midi-chlorians' effect on some characters' ability to use the Force. As a child, though, he interpreted 's explanation of the Force in Star Wars to mean that any character could use its power, and that the Force was more grounded in spirituality than science.

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Abrams retained the idea of the Force having a light and a dark side, and some characters' seduction by the dark side helps create conflict for the story. Producer cites several influences on how the Force is used in the show. The character — named in homage to the term Lucas originally associated with the Jedi — does not align with the franchise's normal dark-or-light duality, and this role is an extension of Filoni's conversations with Lucas about the nature of the Force. Filoni credits the prequel films for better developing the concept of the Force, particularly the idea of a balance between the light and dark sides. Depiction.

This by Greg Knight of a being 'Force pushed' was an early visualization of how the Force would be depicted in ' (2008). Describes the Force as 'an energy field created by all living things' in Star Wars. In The Phantom Menace, says microscopic lifeforms called midi-chlorians, which exist inside all living cells, allow some characters to be Force-sensitive; characters must have a high enough midi-chlorian count to feel and use Force. In 1981, Lucas compared using the Force to, saying any character can use its power.

Dave Filoni said in 2015 that all Star Wars characters are 'Force intuitive': some characters, like, are aware of their connection to the Force, while characters such as draw upon the Force unconsciously. Filoni said the most potent Force users are characters with a natural affinity for using the Force, as indicated by their midi-chlorian count, who undertake intense training and discipline. (2016) portrays the Force more as a religion 'than simply a way to manipulate objects and people'.

In the years following the depicted in the prequel trilogy, some characters have lost faith in the Force, and the hunts down surviving Jedi and other Force-sensitive characters. By the time of the events in The Force Awakens, some characters think the Jedi and the Force are myths. Some characters sensitive to the Force can derive special, from it, such as, and. The Force is sometimes referred to in terms of 'dark' and 'light' sides, with villains like the drawing on the dark side to act aggressively while the use the light side for defense and peace. According to Filoni, Lucas believed a character's intentions when using the Force — their 'willingness or will to be selfless or selfish' — is what distinguishes lights and dark sides. The Force is also used by characters who are neither Jedi nor Sith, such as and. Characters throughout the franchise use their Force powers in myriad ways, including Obi-Wan using a 'mind trick' to undermine a will, choking subordinates without touching them, Luke Skywalker having a vision of the future, and Kylo Ren stopping fire mid-air.

The Force allows 'ghosts' of some deceased characters to interact with the living, and Obi-Wan's ghost provides Luke Skywalker with guidance at 'critical moments' in and. Film and television use of the Force is sometimes accompanied by a sound effect, such as a 'deep rumble' associated with the dark side or a more high-pitched sound associated with benevolent use. The Force plays an important role in several Star Wars plot lines. Anakin Skywalker's rise as a light-side Jedi, descent into becoming the Sith Lord Darth Vader, and ultimate redemption to the light side of the Force is the main story arc for the first six Star Wars films. 's arc in the final season of (2008–2014) depicts him exploring 'bigger questions' about the Force and taking various inspirations from the. In The Force Awakens, 's exposure to the Force helps make him question his upbringing.

Analysis called the Force 'largely a mystery' in Star Wars. Taylor ascribes the 'more poetic, more spiritual. And more demonstrative' descriptions of the Force in The Empire Strikes Back to, who co-wrote the film, but says the film does little to expand audiences' understanding of it. In 1997, Lucas said that the more detail he articulated about the Force and how it works, the more it took away from its core meaning. According to Rob Weinert-Kendt, the 'Force theme' in ' score represents the power and responsibility of wielding the Force. Religion and spirituality In his 1977 review of Star Wars, of called the Force 'a mixture of what appears to be ESP and early Christian faith'. The Magic of Myth compares the sharp distinction between the good 'light side' and evil 'dark side' of the Force to, which posits that 'good and evil, like light and darkness, are contrary realities'.

The connectedness between the light and dark sides has been compared to the relationship between in, although the balance between yin and yang lacks the element of evil associated with the dark side. Taylor identifies other similarities between the Force and a prayer, and. Taylor added that the lack of detail about the Force makes it 'a religion for the secular age'. According to Jennifer Porter, professor of religious studies at the, 'the Force is a metaphor for godhood that resonates and inspires within people a deeper commitment to the godhood identified within their traditional faith'.

Comparison to magic abilities like the Force are a common device in science fiction, and the Force has been compared to the role plays in the genre. The Star Wars films illustrate that characters not familiar with the particulars of the Force associate it with mysticism and magic, such as when an Imperial officer alludes to Darth Vader's 'sorcerer's ways'. Christina Flotmann distinguishes between the depiction of the Force in the Star Wars franchise and the depiction of magic in the fantasy series, and she describes the Force as a spiritual energy. Eric Charles points out that the television films (1984) and (1985), intended for children, are 'fairy tales in a science fiction setting'. These films feature magic and other fairy tale motifs rather than the Force and science fiction. Mark Clark said the Ewok Adventure films depict 'sorcery' that is completely different than the Force powers depicted in the original and prequel Star Wars films.

Scientific and parascientific perspectives Astrophysicist says in that the Force raises questions that scientists have long asked. She points out that the ancient Greeks explored the idea of a ' that permeated and connected everything in the universe, and that proposed that the human brain might be able to trigger waves in the, giving humans psychic powers. Cavelos's sources are mostly skeptical about a 'real world' explanation for the Force, but they explore ideas in areas such as, and the notion of science so advanced that it appears magical. Explaining the Force is particularly difficult, Cavelos says, because 'it does so many different things'.

Several scientists have said it is best not to try to explain how the Force works. Cavelos says the Force 'suggests a universe quite different than the one we think we're living in', and that some unknown fields or particles might explain the Force.

Cavelos believes is one option to power physical Force feats, and she says a beyond the might account for the Force. Flavio Fenton of the School of Physics suggests a fifth force would carry two types of charge — one for the light side and one for the dark — and that each would be carried by its own particle.

Nepomuk Otte, also from Georgia Tech, cautions that says telekinesis would apply a force back on the Force-wielding character. Force powers like are challenging to explain because of the implied time travel of information, but Cavelos suggests traveling might carry such information. Cavelos explores the possibility of brain implants or sensors being used to detect users' intent and manipulate energy fields to control the Force. Says Luke Skywalker's Jedi training on might involve learning to control, and Cavelos compares such discipline to contemporary patients learning to control. Cultural impact. See also: compared the 's role as 'carrier' of the Higgs field to the way Jedi are 'carriers' of the Force.

A video highlighting the idea of 'kicking someone's ass with the Force' steered game designers toward producing (2008), which sold six million copies as of July 2009. In 2009, released a that used to read users'., and others have compared various political machinations to the 'Jedi mind trick', a Force power used to undermine opponents' perceptions and willpower. Practitioners of pray to and express gratitude to the Force. Described a kind message to a fan from, who portrays Luke Skywalker, as an example of the light side of the Force. Critical response wrote in his 1977 review of Star Wars for magazine: And then there is that distressing thing called the Force, which is. Lucas's tribute to something beyond science: imagination, the soul, God in man. It appears in various contradictory and finally nonsensical guises, a facile and perfunctory bow to metaphysics.

I wish that Lucas had had the courage of his materialistic convictions, instead dragging in a sop to a spiritual force the main thrust of the movie so cheerfully ignores. In her 1980 review of The Empire Strikes Back, described the Force as 'a mishmash of current cultic fashions without any base in ideas. It doesn't seem to be connected with ethics or a code of decent behavior, either.'

The introduction of midi-chlorians in The Phantom Menace was controversial, with Evan Narcisse of Time writing that the concept ruined Star Wars for him and a generation of fans because 'the mechanisms of the Force became less spiritual and more scientific'. Film historian Daniel Dinello argues, 'Anathema to Star Wars fanatics who thought they reduced the Force to a kind of viral infection, midi-chlorians provide a biological interface, the link between physical bodies and spiritual energy.' Referring to 'midi-chlorians' became a screenwriting shorthand for over-explaining a concept. Although Chris Taylor suggested fans want less detail, not more, in explaining the Force, the introduction of midi-chlorians provided depth to the franchise and fomented engagement among fans and franchise writers.

Religion expert writes, 'In the 'Gospel according to Lucas' a world is conjured up in which the intractable oppositions that have tormented religious thinkers for centuries are reconciled. The gifts that the Jedi masters enjoy have a perfectly plausible scientific basis, even if its ways are mysterious'. Characters' faith in the Force reinforces the Rogue One 's message of hope. 'May the Force be with you'.

'May the Force be with you' redirects here. For other uses, see. Several Star Wars characters say 'May the Force be with you' (or derivatives of it) and the expression has become a popular.

In 2005, 'May the Force be with you' was chosen as number 8 on the 's list. May 4 is, taken from the 'May the Fourth be with you'. The expression was intentionally similar to the Christian, 'the Lord be with you'. President in 1985 said 'the Force is with us', referring to the United States, to create the. The Gospel According to Star Wars asserts that his use of the phrase was actually perverting Star Wars's 'self-dispossessing' (or other-focused) ethos. The blessing 'May the Force be with you' is the expression of a hope for others ('May the Force be with you'), not for ourselves as with Reagan ('The Force is with us'). Moreover, the Star Wars blessing is precisely a request for hope for others (' May the Force be with you'), whereas Reagan's claim sounds like a possessive assertion ('The Force is with us').

See also. Star Wars Episode I: The Phantom Menace Movie Scrapbook. ^ The Mythology of Star Wars (2000 documentary). ^, p.

58. ^ Kaminski, Michael (2008). The Secret History of Star Wars The Art of Storytelling and the Making of a Modern Epic. Legacy Books Press.

Kaminski, Michael (2008). The Secret History of Star Wars The Art of Storytelling and the Making of a Modern Epic. ^ Serafino, Jason (October 1, 2015). Retrieved July 25, 2017. Kaminski, Michael (2008). The Secret History of Star Wars.

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Robey, Tim (November 24, 2015). Retrieved December 2, 2015. Silberman, Steve (May 1, 2005). Retrieved May 23, 2016. 116–117., p.

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Legacy Works Press. Seabrook, John (January 6, 1997). Retrieved May 26, 2016. The scripts for the prequel, which Lucas is finishing now, make it clear that Star Wars, taken as a whole story and viewed in chronological order, is not really the story of Luke at all but the story of Luke’s father, Anakin Skywalker, and how he, a Jedi Knight, was corrupted by the dark side of the Force and became Darth Vader. When I asked Lucas what Star Wars was ultimately about, he said, “Redemption.”.

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